A Supernatural Rescue Thriller
Stories are not just told — they breathe.
Every way home begins with a connection.
Stories are not just told — they breathe.
Every way home begins with a connection.
Across Limbe, Kumba and Buea, families wait for people lost inside a manufactured paradise. An ancestral sanctuary offers another kind of connection: memory, community and the difficult choice to come home.
Among the ancient trees, the Ore's power begins to reveal itself.
He seeks to bend that same power to his own will.
The fight is not between good and evil. It is between remembering and forgetting who you are.
The Ore connects memory, nature and purpose. Its guardians inherit extraordinary gifts and one binding rule: deliberately injuring a person or embodied spirit tears their connection to the living world.
The source is unlimited and charges no toll. Access depends on alignment, capacity and control; intention never erases consequences.
Samuel bends the same spiritual field toward extraction. Control stones attach to existing desires and wounds; memory and freely chosen resistance can weaken them.
The Children extract, evade, contain and open exits. A broken bond requires truthful acknowledgement, practical repair and changed conduct. Nobody can waive it or pressure a victim to restore it.
The sanctuary calls the underlying field Òrìṣà, a borrowed Yoruba term carried through trade and migration. Children, elementals and spirits have different gifts and constraints; inheritance makes nobody more deserving.
A living ancestral tree created from the blood and vows of three royal lineages. A bridge and archive, it selects by potential; choice determines guardianship.
Unlimited power does not mean unlimited capacity. Fear and obsession distort access. Mask travel can confuse memory, and returning requires an emotional or physical anchor.
The Ore, Living Covenant and mask interfaces are original fantasy inventions. Cultural detail is grounded in makers, histories, relationships and permission; these inventions are not presented as the documented rites of a community.
Meet the guardians and those who exploit the same power. Inheritance gives access, never greater worth. Hover or tap to discover their gifts and choices.
Ore
Ore
Ore
Ore
Ore
Parasitic
Parasitic
OreJudith, another Child, projects across distance and creates doubles while learning to keep track of her real body. The wider family includes Brita, the elemental Ufuaje, and Mara and Jonah in London.
Eight 50-minute episodes set in near-future Cameroon. A teenage girl accused of witchcraft joins guardians forbidden to deliberately harm people, rescuing captives from Samuel's manufactured paradise. A warm supernatural rescue thriller and family drama for audiences 15+, with restrained dread.
Dionne flees an accusation of witchcraft. Amun brings her to the sanctuary, and the team begins a mission to find Cici.
Pa Mbeng teaches the Living Covenant. Dionne uses her grandmother's tune to help Cici choose the pace of her own rescue.
Ayafor strikes Nelly and loses her inherited gifts. Ufuaje abducts Neza; the family stays beside Ayafor outside the sanctuary threshold.
Neza challenges Ufuaje's captivity. The brothers face their grief, Ayafor begins practical repair, and a mysterious voice answers Dionne's tune.
Namondo's mother takes a first step toward reconnection. Judith learns a projection game before Samuel's allies abduct her.
Judith projects clues across a road. The team rescues her while Pa Mbeng holds a violent ward, leaving Samuel a joker as a calling card.
Evidence reaches the public and Ayafor chooses protection over revenge. As people walk toward Samuel's gates, Amun becomes trapped in an ideal version of his family.
Dionne brings Amun home and helps the local captives return through memory and choice. Samuel survives to face investigation; distant Ore nodes answer, and her father's mystery remains.
The pilot episode is finished and screening privately — for investors, backers and supporters — ahead of its public release. If you've been given an access code, the door is here.
Private supporter screening. Please keep this link within the community until the public release.
Watch on YouTube ↗Public release coming soon — no code needed then.
Production stills, concept art, and raw footage from the pilot. A look at the craft behind the world — AI-assisted pipelines, real locations, and the characters coming to life.
The pilot is shot. The world is built. Explore the journey from the finished pilot to the full series.
Mbeng Ngassa is a British-Cameroonian filmmaker who has been shooting and editing since age 16. A creative technologist with a career spanning close to two decades in advertising across London and Los Angeles, he attended the London College of Music and Media, now the University of West London, and the Los Angeles Film School. He has worked across Africa as producer, director, cinematographer, editor, and VFX artist — building stories from his own cultural perspective. The Children of the Ore is that perspective, fully realized.
The Children of the Ore exists because these people put their belief, their resources and their time behind it. Our deepest gratitude to every one of them.
Thanks and blessings to our supporters — the ones who backed this before there was anything to show.
Thank you for believing in this story.
The pilot is finished. The next step is the full eight-episode season. Back the project, explore a production partnership or sponsor the journey. Contact us directly for investment information.
Children of the Ore · site in production